Possessed by Paul James, “Songs We Used To Sing”įiddles sweep, feet stomp and acoustic guitars clang on this folk-pop anthem. It sounds like a rough place, but Wright celebrates it, finding the beauty just beneath the grime. While roots-rock guitars ring in the background, Brian Wright takes a look backward, singing about an old hometown filled with alcohol, desolation and dirty streets. “Somebody’s gonna hurt you, just the way you’ve hurt me,” goes the chorus. “Someday Somebody,” with its spaghetti western guitar riffs crooning vocals, sounds like the perfect soundtrack for a hip, offbeat film noir. Turn on, tune it and drop out … but not until you’ve taken a turn on the dance floor. Rooted in the same futuristic electro-pop as Phoenix, “Not Strangers Anymore” is a kaleidoscopic swirl of synth and syncopated snare hits, with Skip Matheny’s double-tracked vocals floating overhead like wisps of smoke. “Since Jimmy Came” deals with the aftermath of an surprise pregnancy, with Tucker setting the whole thing to old-school soundtrack of 1970s guitarmonies and retro keyboards. Shonna Tucker and Eye Candy, “Since Jimmy Came”īacked by a supergroup of Athens-based roadhouse rockers, Shonna Tucker takes the wheel on her first single since leaving the Drive-By Truckers. Taking his cues from troubadours on both sides of the Atlantic, Flynn gives West London another modern-day folk classic with this tribute to the women who bear, feed, love and sustain the men of the world. ![]() ![]() It’s a tribute to Austin’s bellbottomed days, like some long-lost song from the Dazed And Confused soundtrack. White Denim teams up with producer Jeff Tweedy for this rowdy garage rocker, which tips its trucker hat to the mid-1970s with double-tracked vocals and psychedelic guitar freakouts.
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